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Restoration of an Icon

Modern China’s first female architect Lin Huiyin will receive a posthumous degree from the University of Pennsylvania in recognition of her contributions to architectural protection at home and abroad

By Qiu Guangyu Updated Mar.1

Lin Huiyin studies painted Buddhist statues dating to theTang Dynasty (618-907), FoguangTemple,Wutaishan, Shanxi Province, 1937 (Photo by VCG)

In an old photo selected by late Chinese architect Liang Sicheng in his book entitled A History of Chinese Architecture, his wife Phyllis Lin Huiyin, a thin woman clad in a qipao sits on a bamboo ladder against a stone column. The column is carved with Buddhist inscriptions. Behind it is a crumbling temple in rural Shanxi Province.  

While measuring the height of a section of the column built in the Tang Dynasty (618-907), Lin affirmed her belief that architectural insight could not only be achieved from urban high-rises. It required uncomfortable excursions to underdeveloped hinterlands.  

Lin made these remarks while teaching at Northeastern University in Shenyang, Liaoning Province, upon her return from the US in August 1928. No more than two years later, the couple resigned after Lin was diagnosed with tuberculosis and headed south to Beijing.  

From 1930 to 1945, Lin and her husband visited 2,738 ancient buildings in nearly 200 counties in provinces including Shanxi, Henan and Zhejiang. They sketched their discoveries, which are now invaluable to the protection of the country’s ancient architecture, such as Hebei’s Zhaozhou Bridge, dating from the Sui Dynasty (581-618), and Foguang Temple, a well-preserved example of a wooden temple monastery at the foot of Mount Wutai, Shanxi Province built in 857.  

Their work overturned the assertion made in 1929 by Japanese architect and archeologist Sekino Tadashi that wooden architecture built in and before the Tang no longer existed in China. 

After the couple’s far-reaching expedition in rural China, particularly their appraisal of Foguang Temple, Liang was credited with the reputation of the country’s foremost expert on ancient architecture. However, Lin, who climbed up and down ladders much more than her husband as he had a leg injury from a motorbike accident in 1923, did not receive her due.  

The unfairness Lin faced was not uncommon. At the time, women were excluded from many careers, including architecture. In 1927, despite her achievements, she was denied the opportunity to receive a bachelor’s degree in architecture from the Stuart Weitzman School of Design at the University of Pennsylvania (U Penn) solely due to her gender.  

Almost a century later, the Weitzman School announced on October 15, 2023 it will grant Lin a posthumous Bachelor’s of Aßrchitecture at its commencement ceremony on May 18, 2024 to commemorate the most famous female architect of modern China.  

During his visit to an exhibition entitled “Building in China: A Century of Dialogues on Modern Architecture” at the Fisher Fine Arts Library and Architectural Archive at U Penn on January 28, 2022, Weitzman Dean Fritz Steiner noted that Lin was not awarded her architectural diploma. 
 
“From the records, it was clear she wanted to be an architecture student and architect, and she was a very successful one at that. We looked into it more and more, it was clear the reason she wasn’t given a degree was because she was a woman,” Steiner told the Weitzman School’s website. “It’s not right and this is an opportunity to correct that.”  

Undeniably an Architect 
On July 5, 1937, Lin, Liang and scholars from the Society for Research in Chinese Architecture (SRCA), a private architectural organization established in 1930 by politician-turnedscholar Zhu Qiling (1872-1964), were investigating Foguang Temple. The ancient beams were obscured by a colony of bats. But then, under thick layer of dust, Lin spied some characters written on one of the beams.  

They referred to the monastery’s female owner, Ning Gongyu. Lin recognized the name from the Buddhist inscriptions chiseled on the Tang column, known as a jing chuang, at the door. Since few such columns were built before a temple building, they realized Foguang Temple was completed no later than the Tang Dynasty.  

Lin’s sharp observation ought to have been better celebrated if it were not for the outbreak of war. Two days later, Japan expanded its aggression by waging total war with China, starting with the infamous attack on the Marco Polo Bridge (Lugou Bridge) in Beijing on July 7. 
 
The couple and their two children fled south to Kunming, Yunnan Province. During their life-and-death journey, they narrowly escaped a bomb in Changsha, Hunan Province. Lin’s health deteriorated and she almost died from a fever and TB. Despite this, she urged her husband not to forget their mission for the SRCA. Even during the war, they continued to help protect and document ancient Chinese architecture and building techniques.  

In Liang’s book A Pictorial History of Chinese Architecture published in 1946, the architect wrote in the preface: “I am much obliged to Lin Huiyin, my wife, colleague and former classmate. For more than 20 years, she has continuously contributed her relentless efforts to our common cause... Although having been seriously ill over the past few years, she has in no way lost her intrinsic wisdom and resilience. During the darkest hours of the war, the SRCA would not have been so indomitable without her courage... Without her cooperation and inspiration, it would be impossible for me to finish this book as well as other research on Chinese architecture.”  

Zhao Chen, a professor from the School of Architecture and Urban Planning at Nanjing University, told Xinhua Daily Telegraph on October 20, 2023, “Lin was the first architect to create theories for traditional Chinese architecture. The majority of theoretical references and frameworks we now use to analyze and evaluate Chinese architecture largely come from her two dissertations – On Distinctiveness of Chinese Architecture (1932) and Introduction to Qing (1640- 1911) Structural Regulations (1934).”  

“The West has yet to recognize the complex craftsmanship and exquisite artistic structures of traditional Chinese architecture due to its deceptively simple appearances,” Lin wrote in her 1931 dissertation. “Therefore, our generation of Chinese architects is responsible for correcting this bias by providing convincing evidence based on extensive research and meaningful exchanges to enable Western architects to better understand the value of Chinese architecture.” 

Lin also helped to preserve the architecture of Japan, even after her half-brother, pilot Lin Heng, was shot down and killed by Japanese fighter planes in 1941 over Chengdu, Sichuan Province. 

In 1945, on request of the Allied powers, Lin mapped the notable structures of Nara, regarding the temples of the ancient Japanese capital as priceless assets for all of humanity.  

After the founding of People’s Republic of China in 1949, she was a leading architect for the designs of the National Emblem and the Monument to the People’s Heroes in Tiananmen Square in Beijing. However, she died on April 1, 1955 with the regret that she could not prevent the demolition of Beijing’s ancient city walls.  

Lin Huiyin’s graduation photo from the University of Pennsylvania, February 24, 1927 (Photo: Courtesy of the University Archives of the University of Pennsylvania)

Lin Huiyin and her husband Liang Sicheng sit on the roof of the Hall of Prayer for Good Harvest at the Temple of Heaven during a restoration project, Beijing, 1935 (Photo by VCG)

Lin Huiyin discusses designs for the National Emblem with an ill Liang Sicheng, 1950 (Photo: Courtesy of Tsinghua University)

High Society 
“I traveled all through Europe with my father. It was during my travels that I first dreamt of studying architecture. The splendors of the classics of the modern West inspired me, filled me with the desire to bring some back to my country. We need the theories of sound construction that enable your buildings to stand for centuries,” Lin told her US peer and friend Wilma Fairbank, who was also the author of the couple’s biography Liang and Lin: Partners in Exploring China’s Architecture Past first published in 1994.  

Born June 10, 1904, Lin Huiyin was the eldest daughter of Lin Changmin, who received a bachelor’s degree in politics and economics from Japan’s Waseda University and was proficient both in English and Japanese.  

A political doyen after the establishment of Republic of China (1911-1949), Lin Changmin was disillusioned by the social turmoil caused in part by corrupt warlords. Consequently, he turned his attention from politics to education. Notably, he embraced a progressive perspective, treating all his sons and daughters as equals, which stood in stark contrast to the country’s prevailing Confucian orthodoxy that deemed women as inferior and mere possessions of men.  

In April 1920, after being appointed as the Chinese observer to the League of Nations (1920-1949) in the UK, he decided to take Lin Huiyin with him. Having noticed her intellect, her openminded father sent her to St Mary’s College in London. It was where she laid a solid foundation for her studies at U Penn.  

After returning to China in 1921, Lin Huiyin, with her charismatic personality, impressed Liang Sicheng, the eldest son of Liang Qichao, one of modern China’s greatest scholars and former acquaintance of Lin Changmin.  

Liang Sicheng, a Tsinghua University graduate, developed an immense interest in architecture, despite it still being considered a lowly trade according to the values of Confucian society.  

Regardless of social norms, the two youngsters traveled to the US in 1924. While more modern and progressive than their homeland, most schools in the US still did not admit women to architecture courses. Lin Huiyin had to study fine arts instead. 

Thanks to her schooling in Europe, Lin adapted well to campus life in the US. According to Fairbank, Lin was creative and highly sociable, and got along well with Chinese and American students. She completed her fine arts courses in three years, and devoted the last year to taking elective architecture classes.  

However, her father’s death at age 49 in 1925 in a failed coup against northeastern warlord Zhang Zuolin (1875-1928) left her devastated. She considered dropping out of school, until she received a letter from her future father-in-law, who guaranteed he would support her studies. With this help, she graduated from U Penn in 1927 with a Bachelor’s in Fine Arts and went on to study stage design at Yale University.  

In 1928, Lin and Liang married in Canada.  

Icons and Ironies 
Lin’s personal life continues to be a source of inspiration for women today. On Chinese social media, numerous posts celebrate her individual agency and pursuit of personal fulfillment, whether it be in her career choice, her worldview or her social and romantic life.  

On the night of May 20, 1924, modern Chinese poet, essayist and writer Xu Zhimo (1897-1931), broke into tears when boarding a train from Beijing to Taiyuan, Shanxi Province with the first Asian Nobel literature laureate – Bengali literati Rabindranath Tagore. According to Collection of Xu Zhimo’s Letters, he told his second wife Lu Xiaoman in 1925 that he had suffered a loss as devastating and overwhelming as the defeat of Napoleon in Russia.  

With the train rumbling away, Xu realized that Lin Huiyin, who was among the people seeing them off, would never become his wife.  

Lin Huiyin first met Xu in London when she was 16, and soon fell in love with her. Despite already having a wife and child, he divorced his pregnant wife believing he could marry Lin Huiyin. However, the Lins had already returned to China. In a performance staged in Beijing to honor Tagore in front of China’s most progressive scholars, Xu tried to win her back by delivering a speech in English professing his love. But Lin Huiyin told him she was leaving for the US with Liang Sicheng. After Xu died in a plane crash in 1931, Lin Huiyin hung a piece of debris from the crash on her bedroom wall.  

Often the only woman in attendance at salons in Beijing, Lin Huiyin inevitably attracted male attention. Some criticized her for being obsessed with the admiration.  

“Undoubtedly our madam, who was extremely tender and glamorous at 16, is most adept at social gatherings,” wrote the late Chinese modern writer Xie Wanying (pen named Bing Xin), in one of her satirical novels titled Our Madam’s Salon published in 1935. This description made it easy for her readers to figure out who the character was based on.  

Another renowned scholar who disdained Lin as well as her parties and pet cat was the academic and literary genius Qian Zhongshu (1910-1998), who was also Lin’s neighbor. In his novel Cat published in 1946, he wrote: “Among all the best-known wives, she was the best looking, most romantic and straightforward. Her parlor was the most exquisitely designed and frequently visited. The dishes and pastries served were the most delicate. Her social networks were the most extensive and her husband the most tame, who would never think of disturbing her.”  

In response, Lin Huiyin had her nanny send Xie a bottle of vinegar – a condiment also used in a common Chinese expression that means “to be jealous.” The gift soured their relationship permanently.  

In the end, she died a lonely death in a Beijing hospital. The nurse had refused her requests to call her husband for her last moments. Liang Sicheng was inconsolable after her death. Seven years later in 1962, he married their student Lin Zhu, 27 years his junior. Liang Sicheng passed away in 1972.  

“Ultimately, I’ve come to know there are some lonely roads in this world. For all the companions weathering through tides and ages under solemn promises will definitely part with each other at the port in their destinies,” said Lin, as quoted in her biography The Sky is Clear So Long as You Are Fine from 2011 by Chinese female writer Bai Luomei. 

The exhibition titled “Lin Huiyin: Guardian of Cultural Heritages Coming from the Ancient House in Fuzhou” is held at the Sanfang Qixiang Historical and Cultural Block in Fuzhou, Fujian Province, December 14, 2021 (Photo by VCG)

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