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Elegant Reminders

A testament to his political achievements, Han Qi’s stone stele embodies literary and artistic significance. Nestled in his personal study, the monument has evolved into an inspiring sanctuary for future generations of literati

By Song Yimin , Wang Zhiwei Updated Oct.1

The Temple of the Duke of Han, Anyang, Henan Province, March 14, 2024 (Photo by VCG)

The second Saturday of June is China’s Cultural and Natural Heritage Day. This year, it fell on June 8, and events were held across the country to recognize significant achievements in cultural relic protection at some 4,296 national key cultural relic protection sites and 5,354 museums. 

China established Cultural Heritage Day in 2006 and expanded the observance to encompass natural heritage in 2017, making it Cultural and Natural Heritage Day. Since 2009, the National Cultural Heritage Administration has designated one city each year to host the main event. 

This year, the host city was Shenyang in Northeast China’s Liaoning Province. The key exhibition, The Light of Civilization: Hongshan, Liangzhu and Chinese Civilization, kicked off on June 8, offering visitors an opportunity to experience the distinctive charm and enduring legacy of early-stage Chinese civilization, dating back more than 5,000 years. As part of the celebratory events, academic forums and a symposium were held to delve into innovative strategies and approaches for cultural heritage preservation. 

More local activities combining regional characteristics were rolled out, leveraging innovative methods to present the benefits of cultural relics protection and utilization to the general public. 

In Central China’s Hunan Province, an immersive digital exhibition was held at Hunan Museum in Changsha to showcase the glamor of the Mawangdui Tombs of the Han Dynasty (206 BCE220 CE). 

Several cities have held photo exhibitions to celebrate the 10th anniversary of the successful UNESCO listing of Silk Roads: The Routes Network of Chang’an-Tianshan Corridor, most recently in Beijing, until September 30. 

China has 57 sites inscribed on the UNESCO World Heritage List, ranking second globally. Many of these sites are located in ancient capitals such as Beijing, Shenyang and Xi’an, Shaanxi Province. Among them, Anyang in Central China’s Henan Province is one that cannot be ignored. 

Since the Bronze Age Shang Dynasty (1600-1046 BCE), which moved its capital to Anyang, it has been the center of seven regimes, leaving a plethora of historical sites and cultural relics. 

Oracle bone inscriptions with the earliest Chinese characters and the Houmuwu Square Cauldron, the heaviest piece of bronzeware to survive intact in the world, were unearthed in Anyang. The Yin Ruins, which are the archaeological remains of the capital of the Shang Dynasty, was designated a UNESCO World Heritage Site in 2006. 

Among the historical sites in Anyang, most of which are characterized by their historical grandeur, there is a lower-profile site which includes the Temple of the Duke of Han and the Hall of Daytime Elegance. The temple is dedicated to Han Qi, one of the most revered political and literary figures of the Northern Song Dynasty (960-1127).

Reform Champion 
Han Qi (1008-1075) served as prime minister through the reigns of three Northern Song emperors – Renzong, Yingzong and Shenzong. Despite the devastating political factions within the Song court, he still managed to hold this post for 10 consecutive years – the only person throughout the dynasty who was able to do so. 

Han was a talented writer and calligrapher. His poetry reflected the life of his time and demonstrated his unique insights. Profoundly influenced by Tang Dynasty (618-907) calligrapher Yan Zhenqing, his calligraphy was structurally rigorous and powerful. One of his letters to his long-time friend Fan Zhongyan was so favored by Qing Dynasty Emperor Qianlong, who ruled from 1735 to 1796, that he stamped six seals upon it to show his appreciation of it as a calligraphic work. 

The Temple of the Duke of Han was first built during the late Northern Song Dynasty. And though it was later destroyed in war, it was rebuilt on its original site during the Mongolian Yuan Dynasty (1271-1368). 

The Hall of Daytime Elegance was constructed while Han Qi was serving as governor of Anyang. But for the convenience of commemoration, it was relocated to its current site during the Ming Dynasty (1368-1644). 

The site excels above its counterparts especially for a stone stele with inscriptions of the record of its owner’s life. The stele presents “marvels” in four aspects – the achievements of its owner, the writings inscribed, the calligraphy of its text, and its head, which is the intricately carved upper portion of the stele. 

Its owner Han Qi was born into a scholar-official family in 1008. His mother was a maid servant to his father when he was an official in Southeast China’s Fujian Province, and was later married to him as a concubine. Han Qi’s father died when he was only 5 years old. His mother took him back to his father’s hometown in Anyang where he was educated under the guidance of his older brothers. 

When he was 20, he passed the highest level of the imperial examination. As a literati official recruited through the imperial examination, Han Qi surprisingly established his reputation militarily, but this mostly had to do with the Song’s governance strategy and civil service system. 

The Song’s founding emperor Taizu (927-976), who was a military general and ascended the throne through a coup, was determined to make sure that no rival general would become powerful enough to seize his throne the same way he had. He introduced a system of rotation for military leaders to sweep away any potential threats, and he ensured that the civil service was elevated to a higher status than the army by acting as its supervisory body, thus leading to the domination of literati over military officials in the administration of the dynasty, which led to a surplus of literati officials and a shortage of military officials. 

On the other front, from its establishment, the Song alternated between war and truce with the Khitans of the Liao Dynasty (907-1125) in the northeast. Emperor Taizu conquered much of Central China, but neither he nor his successors managed to conquer the Liao Dynasty in the north. In fact, the Song emperors were compelled to recognize the Khitan ruler as an emperor in his own right and pay an annual tribute in the form of silver and silk. 

A similar situation arose with the Tanguts of the Western Xia in the northwest. In 1040, when the Tanguts attacked the Song, Emperor Renzong, who reigned from 1022 to 1063, entrusted the defense against the Tanguts to literati officials Fan Zhongyan and Han Qi. The Song managed to win a few military victories over the Tanguts at first, but the campaign was ultimately a failure due to a military officer who disobeyed orders. Following his defeat in 1044, Emperor Renzong agreed to pay tribute to the Tanguts in order to maintain a peaceful border and concentrate on consolidating his rule of Central China. 

The period when Han and Fan were co-commanders in the Song-Xia war also witnessed one of the greatest moments in their long friendship. Shortly after, they collaborated again in an important, although short-lived reform campaign called the Qingli Reform. 

The reform was so named because it took place in year 1043, the third year of the Qingli era – reigns were broken up into periods known by a “reign motto” – under Emperor Renzong. As primary advocate of the reform, Fan Zhongyan attempted to reform the traditional way of conducting governmental affairs. He outlined three sets of reform objectives, including improving administrative efficiency, empowering local governments and strengthening defense. 

Han Qi ffrmly supported Fan Zhongyan’s proposals and exerted significant influence in their implementation. During his tenure in local government, Han implemented what could be called a pilot program for Fan’s reform measures and achieved remarkable results, thus providing solid evidence for the wider promotion of these new policies. 

However, without the full support of the emperor, these policies were never completely implemented. And worse, the Song court was so plagued with political factions that a backlash from the court’s conservative officials started not long after. The reforms failed after about a year, and Fan Zhongyan was forced to step down as prime minister. 

For championing the reforms, Han Qi was expelled from the inner power circle and made to serve in several local positions in Jiangsu, Shandong, Hebei and Henan provinces. Han and Fan last saw each other in 1044, but they always maintained their friendship by exchanging letters and through their literary works.

Spiritual Home 
In 1055, when Han was serving as governor of his hometown Anyang, he decided to expand his residence and named his study the Hall of Daytime Elegance. 

The name derived from Xiang Yu, the military leader who overthrew the Qin Dynasty in 207 BCE. He had said, “If you possess wealth and honor but do not return home, it is like you are wearing elegant robes while traveling at night.” Han Qi turned Xiang Yu’s comments the other way around to demonstrate his caution and modesty. 

In 1058, Han Qi was promoted to prime minister for his contribution in orchestrating the selection of Emperor Renzong’s heir – Emperor Yingzong. He served in that capacity for 10 years through the reign of Emperor Yingzong and his successor Emperor Shenzong. In 1067, Han resigned because of political factions at the court. He passed away in 1075 at the age of 68. 

Ouyang Xiu, Han Qi’s friend and a revered statesman and writer in his own right, penned an essay titled the Record of the Hall of Daytime Elegance to explain his interpretation of Han’s aspirations. He remarked that high titles and elegant robes were not what Han Qi really wanted. Instead, benevolence for the people, achievements for the state, worldwide praise and his future legacy were what Han Qi truly aspired to. 

The calligraphy inscribed on the stele is from Cai Xiang, one of the four best calligraphers of the Song Dynasty and the world’s best in the regular script. His calligraphy is characterized by its dignity and vigor with a quiet beauty. Cai was a modest man and seldom wrote for others. He even declined Emperor Renzong’s request to write for a deceased imperial concubine. But he more than readily agreed to write for Han Qi. In fact, he even wrote several versions of each character and then selected the best to be inscribed. 

It is precisely these combined “marvels” that makes the stele of the Hall of Daytime Elegance so precious. The sincere care for the people and for the state recorded in the stele has been constantly recalled, imitated and commemorated over the centuries. Because of this, the Hall of Daytime Elegance has been a spiritual home pursued by the literati of countless generations.

The Hall of Daytime Elegance, Anyang, Henan Province, March 14, 2024 (Photo by VCG)

The stele of the Hall of Daytime Elegance, Anyang, Henan Province, March 14, 2024 (Photo by VCG)

Portrait of Han Qi (1008-1075) (Photo by VCG)

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